Modern Britain 1900-1960: Masterworks From Australian And New Zealand Collections
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly curated exhibition catalogue, Modern Britain 1900–1960: Masterworks from Australian and New Zealand Collections presents a sweeping survey of British modernism as seen through the remarkable holdings of Antipodean institutions. Authored by Ted Gott, Laurie Benson, and Sophie Matthiesson, the volume chronicles the dynamic transformations in British art across six pivotal decades, tracing the influence of European avant-garde movements on painters, sculptors, and printmakers working in Britain. With an authoritative and scholarly tone, it illuminates the works of celebrated figures alongside lesser-known artists, illustrating how British modernism grappled with industrialisation, two World Wars, and shifting cultural identities. The text situates these masterworks within their broader historical and aesthetic contexts, offering detailed analysis that enriches the viewer's understanding of each piece. A vital resource for art historians, collectors, and enthusiasts alike, the catalogue stands as a testament to the depth and breadth of British modern art preserved in Australian and New Zealand collections.
Original: $21.92
-65%$21.92
$7.67Modern Britain 1900-1960: Masterworks From Australian And New Zealand Collections
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly curated exhibition catalogue, Modern Britain 1900–1960: Masterworks from Australian and New Zealand Collections presents a sweeping survey of British modernism as seen through the remarkable holdings of Antipodean institutions. Authored by Ted Gott, Laurie Benson, and Sophie Matthiesson, the volume chronicles the dynamic transformations in British art across six pivotal decades, tracing the influence of European avant-garde movements on painters, sculptors, and printmakers working in Britain. With an authoritative and scholarly tone, it illuminates the works of celebrated figures alongside lesser-known artists, illustrating how British modernism grappled with industrialisation, two World Wars, and shifting cultural identities. The text situates these masterworks within their broader historical and aesthetic contexts, offering detailed analysis that enriches the viewer's understanding of each piece. A vital resource for art historians, collectors, and enthusiasts alike, the catalogue stands as a testament to the depth and breadth of British modern art preserved in Australian and New Zealand collections.
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Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly curated exhibition catalogue, Modern Britain 1900–1960: Masterworks from Australian and New Zealand Collections presents a sweeping survey of British modernism as seen through the remarkable holdings of Antipodean institutions. Authored by Ted Gott, Laurie Benson, and Sophie Matthiesson, the volume chronicles the dynamic transformations in British art across six pivotal decades, tracing the influence of European avant-garde movements on painters, sculptors, and printmakers working in Britain. With an authoritative and scholarly tone, it illuminates the works of celebrated figures alongside lesser-known artists, illustrating how British modernism grappled with industrialisation, two World Wars, and shifting cultural identities. The text situates these masterworks within their broader historical and aesthetic contexts, offering detailed analysis that enriches the viewer's understanding of each piece. A vital resource for art historians, collectors, and enthusiasts alike, the catalogue stands as a testament to the depth and breadth of British modern art preserved in Australian and New Zealand collections.
